“It is an alchemical process, making something new from bits and pieces.” (An Interview With Morphic Rooms)

I wanted to create a visual language in my art practice that reflected the way these musical cut-ups and abrasions sounded to me—transmuted, rejoined.

“Music was a helpful place to live in the yearning.” (An Interview with Sara Mae of The Noisy)

There was a time where I saw myself and my desire as violent, and this song is meant to complicate that story.

"A name is as malleable as a past, a body, and every other part of the self." (An Interview With Lucy Hannah Ryan)

Even in stories featuring dead characters, more often than not it’s my protagonists that do the haunting, looming like spectres over their own lives, trying to break through and feel real again.

"The extraterrestrial and subterranean are stand-ins for our own unreachable interiors." (An Interview With Kirsten Shu-ying Chen)

Gratefully, writing happens to be a method of preservation I have access to. It’s allowed me to guard my grief.

Kate WilsonDecember 29, 2022Carl Sagan, Kirsten Shu-ying Chen

"An elegy is a story bigger than despair." (An Interview with Maria Chiara Piglione)

The oval and circular shapes speak of an ancient world, a world where everything is whispered to life by its surrounding details.

"I am learning to call things disruptive instead of radical." (An Interview With Hazem Fahmy)

I am at a point in my life where the question most on my mind isn’t what am I asking from a place, but rather what I owe a place I have made a home.